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In a few days the marchioness arrived at the castle. She was followed by a numerous retinue, and accompanied by Ferdinand, and several of the Italian noblesse, whom pleasure attracted to her train. Her entrance was proclaimed by the sound of music, and those gates which had long rusted on their hinges, were thrown open to receive her. The courts and halls, whose aspect so lately expressed only gloom and desolation, now shone with sudden splendour, and echoed the sounds of gaiety and gladness. Julia surveyed the scene from an obscure window; and as the triumphal strains filled the air, her breast throbbed; her heart beat quick with joy, and she lost her apprehensions from the marchioness in a sort of wild delight hitherto unknown to her. The arrival of the marchioness seemed indeed the signal of universal and unlimited pleasure. When the marquis came out to receive her, the gloom that lately clouded his countenance, broke away in smiles of welcome, which the whole company appeared to consider as invitations to joy.,

The King and the Prince advanced, bowing low, and said, "Sire, we have come from afar, to show you a portrait." They drew forth Rosette's portrait and showed it to him. After gazing at it a while, the King of the Peacocks said, "I can scarcely believe that there is so beautiful a maiden in the whole world." "She is a thousand times more beautiful," said the King. "You are jesting," replied the King of the Peacocks. "Sire," rejoined the Prince, "here is my brother, who is a King, like yourself; he is called King, and my name is Prince; our sister, of whom this is the portrait, is the Princess Rosette. We have come to ask if you will marry her; she is good and beautiful, and we will give her, as dower, a bushel of golden crowns." "It is well," said the King. "I will gladly marry her; she shall want for nothing, and I shall love her greatly; but I require that she shall be as beautiful as her portrait, and if she is in the smallest degree less so, I shall make you pay for it with your lives." "We consent willingly," said both Rosette's brothers. "You consent?" added the King. "You will go to prison then, and remain there until the Princess arrives." The Princes made no difficulty about this, for they knew well that Rosette was more beautiful than her portrait. They were well looked after while in prison, and were well served with all they required, and the King often went to see them. He kept Rosette's portrait in his room, and could scarcely rest day or night for looking at it. As the King and his brother could not go to her themselves, they wrote to Rosette, telling her to pack up as quickly as possible, and to start without delay, as the King of the Peacocks was awaiting her. They did not tell her that they were prisoners, for fear of causing her uneasiness.,

His first surprise over, Jerry saw that Bob was right. If they didn’t go through the tunnel they would probably never go anywhere. It would be more than their strength could accomplish to force the boat back through the rapids they had encountered. And even if they could reach the top of the cliffs, Jerry knew that they would die of thirst before they could make their way to civilization.,

For a moment Bob thought he had won, for there was a look in his former chum’s eyes as if he was struggling to express something he could not say aloud. But Jerry’s words belied the message of his eyes.

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On the northern shore of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendour, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from the earth. 'Thus,' said I, 'shall the present generation—he who now sinks in misery—and he who now swims in pleasure, alike pass away and be forgotten.' My heart swelled with the reflection; and, as I turned from the scene with a sigh, I fixed my eyes upon a friar, whose venerable figure, gently bending towards the earth, formed no uninteresting object in the picture. He observed my emotion; and, as my eye met his, shook his head and pointed to the ruin. 'These walls,' said he, 'were once the seat of luxury and vice. They exhibited a singular instance of the retribution of Heaven, and were from that period forsaken, and abandoned to decay.' His words excited my curiosity, and I enquired further concerning their meaning.,

“My dear John! You do not try lifting the child at arm’s length, as you say?”,

The betrothed Princess, the ambassadors who had come to be present at the marriage, began to pull long faces. One of the most important of the guests turned to the King, and said, "Sire, can you think of breaking so solemn an engagement, on the word of a toad like that? This scum of the marshes has the insolence to come and tell lies before the whole Court, for the pleasure of being heard!" "Know, your Excellency," replied the Frog, "that I am no scum of the marshes, and since I am forced to exhibit my powers: Come forth, fairies all!" And thereupon all the frogs, rats, snails, lizards, with the frog at their head, suddenly appeared; not, however, in the usual form of these reptiles, but with tall, majestic figures, pleasing countenances, and eyes more brilliant than stars; each wore a jewelled crown on his head, and over his shoulders a regal mantle of velvet, lined with ermine, with a long train which was borne by dwarfs. At the same time was heard the sound of trumpets, kettle-drums, hautboys, and drums, filling the air with melodious and warlike music, and all the fairies began to dance a ballet, their every step so light, that the slightest spring lifted them to the vaulted ceiling of the room. The King and his future Queen, surprised as they were at this, were no less astonished, when they saw all these fairy ballet dancers suddenly change into flowers, jasmine, jonquils, violets, pinks, and tube roses, which still continued to dance as if they had legs and feet. It was like a living flower-bed, of which every movement delighted both the eye and the sense of smell. Another moment, and the flowers had disappeared; in their place several fountains threw their waters into the air and fell into an artificial lake at the foot of the castle walls; this was covered with little painted and gilded boats, so pretty and dainty that the Princess invited the ambassadors to go for a trip on the water. They were all pleased to do so, thinking it was all a merry pastime, which would end happily in the marriage festivities. But they had no sooner embarked, than the boats, water, and fountains disappeared, and the frogs were frogs again. The King asked what had become of the Princess; the Frog replied, "Sire, no queen is yours, but your wife; were I less attached to her than I am, I should not interfere; but she is so deserving, and your daughter Moufette is so charming that you ought not to delay a moment in going to their deliverance." "I assure you, Madam Frog," said the King, "that if I did not believe my wife to be dead, there is nothing in the world I would not do to see her again." "After the wonders I have shown you," she replied, "it seems to me that you ought to be more convinced of the truth of what I have told you. Leave your kingdom in charge of trustworthy men, and start without delay. Here is a ring which will furnish you with the means of seeing the Queen, and of speaking with the Fairy Lioness, although she is the most terrible creature in the world.",

The marquis, immersed in the dissipations of Naples, seldom remembered the castle, or its inhabitants. His son, who had been educated under his immediate care, was the sole object of his pride, as the marchioness was that of his affection. He loved her with romantic fondness, which she repaid with seeming tenderness, and secret perfidy. She allowed herself a free indulgence in the most licentious pleasures, yet conducted herself with an art so exquisite as to elude discovery, and even suspicion. In her amours she was equally inconstant as ardent, till the young Count Hippolitus de Vereza attracted her attention. The natural fickleness of her disposition seemed then to cease, and upon him she centered all her desires.